{"id":10874,"global_id":"musikfest-bremen.de\/en\/?id=10874","global_id_lineage":["musikfest-bremen.de\/en\/?id=10874"],"author":"7","status":"publish","date":"2026-04-02 16:18:06","date_utc":"2026-04-02 14:18:06","modified":"2026-04-15 11:23:47","modified_utc":"2026-04-15 09:23:47","url":"https:\/\/musikfest-bremen.de\/en\/event\/asf-vi-wege-zu-bach-die-motetten\/","rest_url":"https:\/\/musikfest-bremen.de\/en\/wp-json\/tribe\/events\/v1\/events\/10874","title":"ASF VI: Wege zu Bach \u2013 Die Motetten","description":"

Closing concert with the participants of the Musikfest Atelier \u00bbWege zu Bach\u00ab<\/strong>
\nLionel Meunier<\/strong> director<\/p>\n

Programme:<\/strong>
\nJohann Sebastian Bach: Motets Singet dem Herrn ein neues Lied BWV 225, Der Geist hilft unser Schwachheit auf BWV 226, Jesu, meine Freude BWV 227, F\u00fcrchte dich nicht, ich bin bei dir BWV 228 and Komm, Jesu, komm, mein Leib ist m\u00fcde BWV 229<\/p>\n

In previous years, the Atelier \u00bbWege zu Bach\u00ab has explored the key composers who inspired Bach. These came from all over Europe and included Giovanni Gabrieli, Jan Pieterszoon Sweelinck, Heinrich Sch\u00fctz and Dieterich Buxtehude, but also his own family. This year, under the direction of Lionel Meunier once again, the Atelier puts the spotlight on Bach himself. Although Bach’s six motets BWV 225\u2013230 represent only a tiny fraction of his vast catalogue of sacred music, they occupy a special place within it. The first works to be printed after Bach’s death in 1802\/03, they soon gained a foothold in the flourishing middle-class concert scene. They can be performed a cappella or with instrumental accompaniment. Lionel Meunier decided to have the participants of the atelier perform them accompanied by \u2013 naturally! \u2013 the organ. In combination with one of Schnitger\u2019s best-preserved instruments, their wealth of colours and blend of choral warmth and solistic virtuosity will once again provide an unforgettable experience.<\/p>\n

 <\/p>\n

supported by NORDMETALL<\/a> and the AGV Oldenburg<\/a><\/p>\n

 <\/p>\n

<\/i><\/i>Bus Shuttle Departure and Arrival Times<\/div>
<\/p>\n

Departure Domsheide: 6 pm
\nStart of concert: 7 pm
\nDeparture venue: ca 8:30 pm
\nArrival Domsheide: ca 9:05 pm
\nTicket price: \u20ac 16<\/p>\n

Bus tickets can only be purchased at the Glocke box office (in-person opening times: Mon\u2013Fri 12 noon\u20136 pm (by phone 4\u20136 pm), Sat 11 am\u20132 pm (also by phone), Tel. +49 (0) 421 \/ 33 66 99) or in the Musikfest Webshop<\/a>.<\/p>\n

More information<\/span><\/a>\n<\/p>\n

<\/div><\/div>\n<\/div><\/div>","excerpt":"

St. Cyprian- und Corneliuskirche, 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15:36:11","modified_utc":"2026-05-19 13:36:11","url":"https:\/\/musikfest-bremen.de\/en\/artist\/lionel-meunier\/","organizer":"Lionel Meunier","description":"

Lionel Meunier is the founder and artistic director of the award-winning Belgian vocal ensemble Vox Luminis, for which he has garnered international acclaim. Initially studying the trumpet and the recorder in his hometown of Clamecy, he went on to graduate with distinction from the IMEP in Namur, before turning to singing at the conservatory in The Hague. He performed with renowned vocal ensembles such as Collegium Vocale Gent and the Amsterdam Baroque Choir before establishing Vox Luminis in 2004. His international breakthrough came in 2012 with the recording of Heinrich Sch\u00fctz’s \u00bbMusicalische Exequien\u00ab. This CD was named \u00bbGramophone Recording of the Year\u00ab, leading to numerous concert tours throughout Europe, North America and Asia for Lionel Meunier and his ensemble, as well as several years of residencies at Wigmore Hall, the Aldeburgh Festival, Utrecht Early Music Festival and the Concertgebouw in Bruges. More than a dozen highly successful albums followed, including the recording of Dieterich Buxtehude’s \u00bbAbendmusiken\u00ab with the Ensemble Masques and Oliver Fortin, which won them a second Gramophone Award in 2019.
\nWith his meticulous yet lively approach to interpretation, Lionel Meunier is now in demand worldwide as a guest conductor and artistic director of choirs, ensembles and orchestras, including the Orchestra of St. Luke\u2019s at Carnegie Hall, the Netherlands Bach Society, Danish National Vocal Ensemble, Netherlands Chamber Choir, Salzburger Bachchor and the Boston Early Music Festival Collegium. With Vox Luminis, he has directed collaborations with ensembles such as B\u2019Rock, Philharmonia Baroque Orchestra and L\u2019Ach\u00e9ron. He also collaborates closely with the Freiburg Baroque Orchestra and its vocal ensemble, with whom he regularly works on joint projects, covering a wide repertoire.<\/p>\n

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